GREATER CANTON AND QING GLOBAL KNOWLEDGE: MIGRANT ARTISANS, EXPATRIATE CONTACT ZONES, AND THE EMERGENCE OF HAIXI
COLLABORATIVE RESEARCH PROJECT ON THE COLD WAR, THE STATE, AND ART
BOOK MANUSCRIPT IN PROGRESS DURUGAN: VISUAL GOVERNANCE AT THE HIGH QING COURT
Research Projects
“IMAGES, NAMING, AND TRANSLATION: THE PRECURSORS, EXPORT COPIES, AND KEY DEVELOPMENTS OF THE ALBUM OF BIRDS IN THE QIANLONG REIGN”
“VISUAL NETWORKS AMONG JESUITS, HONG MERCHANT FAMILIES, THE BRITISH EAST INDIA COMPANY, AND COURT LITERATI OFFICIALS IN THE EIGHTEENTH CENTURY: THE EMERGENCE OF NEW-STYLE BOTANICAL AND FLOWER PAINTING IN CANTON AND THE QING COURT”
“NON-TEXTUAL AND NON-VERBAL COMMUNICATION IN QING IMPERIAL GOVERNANCE”
“BEIJING, CANTON, AND THE QING COURT: THE ENCOUNTER OF CHINESE BIRD-AND-FLOWER PAINTING, MATERIA MEDICA ILLUSTRATION, AND WESTERN-STYLE BOTANICAL DRAWING IN EIGHTEENTH-CENTURY CHINA”
Outstanding Young Scholar Research Project
“A STUDY OF SUZHOU PIAN FROM THE PERSPECTIVE OF CULTURAL EXCHANGE”
Research Project / Academic Monograph Writing Project
“FACING JAPAN: INNOVATION AND TRANSFORMATION IN THE VISUAL CULTURE OF LATE NINETEENTH-CENTURY SHANGHAI”
Thematic Research Project, Academia Sinica
“THE MULTIPLE FACES OF MODERN SINO-JAPANESE RELATIONS, 1850–1949”
Integrated Research Project
“MULTIPLE PERSPECTIVES: THE VISUAL AND MATERIAL CULTURE OF EXCHANGE BETWEEN EARLY MODERN EUROPE AND EAST ASIA II”
“MULTIPLE PERSPECTIVES: THE VISUAL AND MATERIAL CULTURE OF EXCHANGE BETWEEN EARLY MODERN EUROPE AND EAST ASIA I”
Research Project
“ALBUMS ON NATURE AND WESTERN ENCYCLOPEDIAS AT THE QING COURT II”
“ALBUMS ON NATURE AND WESTERN ENCYCLOPEDIAS AT THE QING COURT I”
“THE INTERFACE OF ART AND KNOWLEDGE: NATURAL-HISTORY ALBUMS AT THE QING COURT”
“THE CONFLUENCE OF ART AND JAPANESE CULTURE IN LATE NINETEENTH-CENTURY SHANGHAI”