“Miniature on the Move: Yao Wenhan’s Qingming Shanghe Tu,” presented in conjunction with the exhibition Une Passion Chinoise: La Collection de Monsieur Thiers at the Musée du Louvre

Talk delivered at the Musée national des Arts asiatiques – Guimet

“The Visual Turn in 18th-Century China: From Memory Palace to the Power of Images”

by The Center for Chinese Studies and UC Berkeley’s Department of Art History, UC Berkeley

“Making “Likeness” as a New Paradigm: A Representational Turn in Visual Culture at the Qianlong Court”

Keynote Speech “Making “Likeness” as a New Paradigm: A Representational Turn in Visual Culture at the Qianlong Court,”

for the International Conference “Imitation or Appropriation? Intermediality in Qing Imperial Art and Culture”

“Mediating Tradition: Japanese Copperplate Printing and Art Reproduction in 1880s Shanghai,”

for 2020 Sydney Asian Art Series: Art and Technology, The Power Institute, University of Sydney

“The Relationship between the Production of the Illustrated Regulations for Ceremonial Paraphernalia of the Imperial Qing Dynasty in the Qing Court and the So-called Export Paintings,”

Art Museum, The Chinese University of Hong Kong

“Manchu Roots: Imperial Politics, Image Discourse, and European Botanical Studies at the Qianlong Court,”

Visual and Material Perspectives on East Asia Talk Series, Chicago University

“Visual Governance from a Global Perspective: A Case Study on the High Qing Court”

The 11th International Academic Lecture, Lee &Won Foundation, Sept 21, 2019, National Museum of Korea

Frequently Invited Speaker, National Palace Museum, Taiwan