CONFERENCE & WORKSHOP PRESENTATIONS
Baimiao or Preparatory Drawing? Rethinking Shen Yuan’s Ink-Monochrome Qingming Shanghe tu at the Qing Court
Conf./WS Name: international conference on “Meditative Retreat by Streams and Mountains: New Reflections on Chinese Painting and Visual Culture,”
Organizer(s): Mary Griggs Burke Center for Japanese Art Department of Art History and Archaeology Columbia University, USA
2026/4/3-4/5
Chinese Baimiao and European Drawing: Rethinking Paintings by Emperor Qianlong at the Qing Court
Conf./WS Name: International Conference “Baimiao, Hakubyō, and Beyond: Traditions of Rejecting Color in East Asian Painting
Organizer(s): National Palace Museum, Taiwan
2025/11/18-11/19
Conf./WS Name: International Conference “Moving People and Forming Asia: Art, State, and Cold War Geopolitics, 1950s–1980s,
Organizer(s): Institute of Modern History, Academia Sinica, Taiwan
2025/10/22-10/24
The Ramifications of the Imperial Forty Scenes of the Yuanmingyuan in 18th-Century Chinese Export Paintings
Conf./WS Name: 2025 AAS-in-Asia, Kathmandu, Nepal
Organizer(s): Association for Asian Studies (AAS)
2025/6/1-6/4
台灣的晚清民國中國美術史研究
Conf./WS Name: 「誰的美術史研究：台灣的美術史研究之領域對話」in the 5th World Congress of Taiwan Studies
Organizer(s): Academia Sinica, Taiwan
2025/5/21-5/23
Beauties on a Folding Screen in Esterházy Palace, Eisenstadt, Austria
Conf./WS Name: International Symposium on Chinese Prints
Organizer(s): Umi-Mori Art Museum, Japan
2025/2/22
Inventing Antiquities through Translation: Images, Language Reform and Naming Manchu Species at the Qianlong Court
Conf./WS Name: the International Workshop “Translation within a World of Chinese Characters: China, Japan, Korea, Vietnam
Organizer(s): York University, Canada
2024/9/6-9/8
Inventing Antiquities through Translation: Images, Language Reform, and Naming Manchu Species at the Qianlong Court
Conf./WS Name: International Conference on “Translation in East Asia
Organizer(s): Joshua Fogel, York University, Canada
2024/9/6-9/8
Printing on Chinese Paper: The Material and Technological Translation of Battle Prints at the Qing Court in the 18th Century
Conf./WS Name: 6ème Congrès du CIHA – Lyon 2024: “Matter/Materiality”
Organizer(s): Comité International d’Histoire de l’Art, CIHA
2024/6/23-6/28
Technique as a Cultural Form: Making “Xiyang”西洋 in Suzhou Prints
Conf./WS Name: 「中国版画研究の現在」記念講演会for the exhibition「蘇州版画の光芒 国際都市に華ひらいた民衆芸術」
Organizer(s): Umi-Mori Art Museum, Japan
2023/5/27-5/28
Paintings on Tea Gatherings in the Ming China
Conf./WS Name: Tea: Nature, Culture, Society 1650-1850 (online conference)
Organizer(s): Linnean Society of London, UK
2022/6/22-6/24
An Uncharted Network: John Bradby Blake’s Botanical Drawings and the Chinese Court
Conf./WS Name: The 3rd CIPSH International Academy on Chinese Cultures and Global Humanities Seminar on “How Artistic Images Shared the Global Understanding of the World in the Seabords of Eurasia Since the 1650s”
Organizer(s): The Apheleia International Association in partnership with the Faculty of Fine Arts of the University of Lisbon and the Polytechnic Institute of Tomar, University of Lisbon
2022/12/12-12/16
物與傳：談袁旃作品中的文物
Conf./WS Name: International conference of “the fabrication of biography: historicity and everydayness”
Organizer(s): Institute of Modern History, Academia Sinica, Taiwan
2022/11/24-11/25
行商、詞臣與大班：廣東外銷畫與清宮的西洋風（視訊發表）
Conf./WS Name: An International Symposium on Art History and Museology: Broadening and Transcending
Organizer(s): Shanghai Museum, China
2022/8/6-8/7
Encountering Ecology with Philology: The Production of the Album of Birds and Qianlong’s Language Reform
Conf./WS Name: Panel on “An Early Modern Epistemological Turn? Natural Knowledge Production in the East Asian Cultural Sphere,” 2022 Association for Asian Studies Annual Confernce in Hawaii
Organizer(s): Association for Asian Studies (AAS)
2022/3/24-3/27
〈關於書畫生產、陳設與品評的滿文字彙〉
Conf./WS Name: Critical Terms for Critical Ideas in Manchu Lexical Formation and Cultural Remaking in the Qing Empire
Organizer(s): Western Learning and China Research Group, Institute of Modern History, Academia Sinica, Taiwan
2022/3/25
〈「中國風」在中國：以《皇朝禮器圖式》相關之製作為例〉
Conf./WS Name: Chinese Art in the Global Context from the 15th to the 18th Century
Organizer(s): Central Academy of Fine Arts, China
2019/11/2-11/3
〈圖可以作什麼?:以英國東印度公司職員 John Bradby Blake 所訂製的植物圖繪談十八世紀的全球知識與商業網絡〉
Conf./WS Name: 「海關與近代中國」國際學術研討會
Organizer(s): Institute of Modern History, Academia Sinica, Taiwan
2019/11/28-11/29
The Literati Baimiao Tradition Encountering European Drawings at the Qianlong Court of the 18th Century
Conf./WS Name: CIHA Florence 2019 in Villa Vittoria – Firenze Fiera
Organizer(s): Comité International d’Histoire de l’Art, CIHA
2019/9/1-9/6
〈蘇州片與狩野派研究〉
Conf./WS Name: 「狩野派與中國」工作坊
Organizer(s): Institute of Modern History, Academia Sinica, Taiwan
2019/8/27
〈《皇朝禮器圖式》的製作與所謂「外銷畫」〉
Conf./WS Name: Illustrated Regulations for Ceremonial Paraphernalia of the Imperial Qing dynasty
Organizer(s): Institute of Modern History, Academia Sinica, Taiwan
2019/8/22-8/23
Joining the Global Court Society: New “Art” of Diplomacy in the Qianlong Cour
Conf./WS Name: Workshop on “The Art of Diplomacy: Material Culture and the Practice of Gift Exchange in the Late Joseon Dynasty
Organizer(s): Academy of Korean Studies and the division of East-Asian Art History at Freie Universität
2019/6/28-6/29
Visual Brokerage and Blockage: Some Observations on the Encyclopedic Production of Albums Embarked in 1750 at the Qianlong Court
Conf./WS Name: Workshop on “Crafted Knowledge in a Globalized World”
Organizer(s): The Needham Research Institute, Cambridge University
2019/6/24
Visual Brokerage and Blockage: Some Observations on the Project of an Encyclopedic Production of Albums Embarked in 1750 at the Qianlong Court
Conf./WS Name: Toward a History of Knowledge: 8th Gewina Meeting of Historians of Science in the Low Countries
Organizer(s): The Belgian-Dutch Society for the History of Science and Universities
2019/6/21-6/22
〈圖可以作什麼？：以英國東印度公司職員John Bradby Blake所訂製的植物圖繪談十八世紀的全球知識與商業網絡〉
Conf./WS Name: 「想像的生態：明清時期的地圖與博物學國際學術研討會」
Organizer(s): Boya (Liberal Arts) College, Sun Yat-Sen University, China
2019/5/17-5/19
知識的仲介者：由流寓日本文人與舶商看清宮《鳥譜》的東傳
Conf./WS Name: Monks, Merchants, and Diplomats : Transmitters of Cultural Images in Early Modern East Asia
Organizer(s): Academia Sinica, Taiwan
2018/8/30-8/31
Fabricated Images for the “True” Knowledge: European Illusionistic style and the New Discourse on “Image (Tu)” at the Qianlong Court
Conf./WS Name: International Conference on “Falsehood, Forgery, and Knowledge Production in Early Modern World: A Comparative Perspective from Studies on Ming-Qing China to Global History”
| Organizer(s): | Institute of Modern History, Academia Sinica, Taiwan Institute of History of Philology, Academia Sinica, Taiwan Institute of Modern History, Academia Sinica, Taiwan Institute of History of Philology, Academia Sinica, Taiwan National Palace Museum, Taiwan National Taiwan Normal University, Taiwan |
2018/4/9-4/10
From Court Paintings to Export Paintings: Imperial Court Workshop Practice and the Proliferation of its Style
Conf./WS Name: Canton, Beijing, and the Court: Chinese Export Painting Revisited
Organizer(s): Academia Sinica, at Association for Asian Studies
2018/4/18-4/21
〈從蘇州片談清宮院體的成立〉
Conf./WS Name: Forgeries and Cultural Mediations: Suzhou Commercial Painting Workshop
Organizer(s): Institute of Modern History, Academia Sinica, Taiwan
2017/12/27
From Court Paintings to Export Paintings: Some Observations on the Commercial Workshops in Beijing in the Qing dynasty
Conf./WS Name: Folk Images and Late Imperial China
Organizer(s): Institute of Oriental Manuscripts of the Russian Academy of Sciences, Russia
2017/6/29-6/30
Visual Governance: A Study on Illustrated Regulations for Ceremonial Paraphernalia of the Qing dynasty
Conf./WS Name: Association for Asian Studies – 2017 Annual Conference
Organizer(s): Association for Asian Studies (AAS)
2017/3/16-3/19
Coining Territory: The Qianlong Emperor’s Gift to Catherine the Great
Conf./WS Name: College Art Association-2017 Annual Conference
Organizer(s): College Art Association, USA
2017/2/15-2/18
院體與清宮譜類圖像的製作
Conf./WS Name: 「院體：清宮製作的風格、技術與物質性」工作坊
Organizer(s): The Committee for Promotion of Ming-Qing Studies, Academia Sinica, Taiwan
2016/7/25-7/26
Visual Governance: Cataloguing People, Birds, and Animals at the Qianlong Court
Conf./WS Name: Material Cultures of Knowledge: Netze wissenschafts-politischer Beziehungen zwischen Taiwan und Deutschland in Früher Neuzeit und Moderne
Organizer(s): Technische Universität Braunschweig, Germany
2016/1/26-1/27
Mediating Tradition: Japanese Copperplate Printing and Art Reproduction in 1880s Shanghai
Conf./WS Name: 2015 International Conference on Ming-Qing Studies, Academia Sinica
Organizer(s): Institute of Modern History, Academia Sinica, Taiwan
2015/12/10-12/11
清宮、歐洲與日本：清宮《鳥譜》的成立與流播
Conf./WS Name: 「激盪與新生─亞歐文化藝術的交流」九十周年院慶暨兩岸故宮第五屆學術研討會
Organizer(s): National Palace Museum, Taiwan
2015/10/28-10/29
Mediating Tradition: Japanese Copperplate Printing and Art Reproduction in 1880s Shanghai
Conf./WS Name: International Conference “Histories of Japanese Art and Their Global Contexts — New Directions”
Organizer(s): Heidelberg University, Germany
2015/10/22-10/24
從圖像消費到文化政治：日本與乾隆朝西清譜錄從晚清到民國時期的再生
Conf./WS Name: 近代中日關係的多重面向（1850-1949）」國際學術研討會
Organizer(s): Institute of Modern History, Academia Sinica, Taiwan
2015/8/19-8/21
Imperial Politics and European Botanical Practice at the Qianlong Court: A Study of the images on the “Auspicious Tree
Conf./WS Name: 14th International Conference on the History of Science in East Asia, Paris
Organizer(s): International Conference on the History of Science in East Asia
2015/7/6-7/10
Domesticating the Global: Renaissance Images and Knowledge in Album of Beasts at the Qianlong Court
Conf./WS Name: 「近代早期中西文化交流中的感官與感覺」國際高端工作坊
Organizer(s): International Center for Stuides of Chinese Cizilization, Fudan Univsersity, China
2015/5/15-5/18
〈舊行業的新行銷與新技術：《鏡影簫聲初集》研究〉
Conf./WS Name: International Conference on Seeing and Touching Gender from Late Imperial to Modern China
Organizer(s): Institute of Modern History, Academia Sinica, Taiwan
2014/12/17-12/18
清末上海的銅版書籍的生產與流通：以樂善堂為中心
Conf./WS Name: 「中日交流場域中的新媒體、新平台與新文化實踐」，「全球視野下的中國近代史研究」國際學術研討會
Organizer(s): Institute of Modern History, Academia Sinica, Taiwan
2014/8/11-8/13
Reinventing Renaissance Tradition in China: Depicting Cassowaries at the Qing Qianlong Court
Conf./WS Name: the panel “Framing Foreign Nature: Prepresenting Animals in Early Modern China and Europe,” the Renaissance Society of America 60th Annual Meeting, New York
Organizer(s): Renaissance Society of America, USA
2014/3/27-3/29
Traditional Leisure in a Globalized Age: Selling and Consuming Japanese Illustrated Books in Shanghai, 1880-1911
Conf./WS Name: International Conference “Leisure and Social Change: The Dynamics of the Transcultural Flow of Concepts, Institutions and Practices of Leisure across Asia”
Organizer(s): Cluster of Excellence: Asia and Europe in a Global Context, Heidelberg University, Germany
2014/1/10-1/11
Truth Contested: Imperial Politics, Image Discourse, and European Botanical Studies at the Qianlong Court
Conf./WS Name: International Workshop “Interactions in Art: East Asia and Europe, 1600-1800
Organizer(s): Institute of Modern History, Academia Sinica, Taiwan
2013/12/16-12/17
是皆紀實、非虚詞—從乾隆《瑞樹圖》的製作看乾隆對於「圖」的論述及其品味
Conf./WS Name: 兩岸故宮第四屆學術研討會：乾隆皇帝的藝術品味
Organizer(s): The Palace Museum, China
2013/11/9-11/10
Imitation, Innovation, and Cultural Exchanges: Ren Bonian (1840-1895) and Japanese Popular Culture in Shanghai
Conf./WS Name: International Symposium “Imitation and Creation”
Organizer(s): Ewha Womans University Museum, Korea
2013/10/18
〈日本與中國「國畫」的誕生，1911-1949〉
Conf./WS Name: 近代中日關係的多重面向（1850-1949）學術研討會
| Organizer(s): | Institute of Modern History, Academia Sinica, Taiwan Osaka City University Urban Research Plaza, Japan |
2013/7/11-7/12
Court and Cultural exchanges: a study of “Album of Birds” produced at the Qing Qianlong Court
Conf./WS Name: The workshop “Issues in East Asian Art”
Organizer(s): Department of Archaeology and Art History, Seoul National University, Korea
2013/5/31
Court and Cultural exchanges: a study of “Album of Birds” produced at the Qing Qianlong Court
Conf./WS Name: The Itineraries of Art: Topographies of Artistic Mobility in Europe and Asia, 1500-1900
Organizer(s): Freie Universität, Germany
2013/5/23-5/26
Priming the Empire: Birds, Beasts and Peoples at the Qianlong Court
Conf./WS Name: Face to Face: the Transcendence of the Art in China and Beyond
Organizer(s): University of Lisbon, Portugal
2013/4/3-4/5
The Rise of Lithographic Printing and the Changing Visual Landscape in Shanghai
Conf./WS Name: “Senses Make Sense: Seeing, Hearing, Touching, and Smelling in Chinese Everyday Life, 1870s-1990s,” at AAS 2013 Annual Conference, San Diego
Organizer(s): Association for Asian Studies (AAS)
2013/3/21-3/24
Money, Networking, and Leisure: The Trade in Japanese Illustrated Books and the Rise of Lithographic Printing in Shanghai
Conf./WS Name: 「近代東亞城市的社會群體與社會網絡」國際學術研討會
| Organizer(s): | Institute of Modern History, Academia Sinica, Taiwan Osaka City University Urban Research Plaza, Japan |
2012/7/24-7/25
Money, Networking, and Leisure:The Trade in Japanese Illustrated Books and the Rise of Lithographic Printing in Shanghai
Conf./WS Name: Workshop “Leisure and Money: The Dynamics of the Exchange of Goods, Lifestyles, and Institutions Across Asia”
Organizer(s): Boston University, USA
2012/6/15-6/16
Priming the World: Appropriating Renaissance Images and Knowledge in Album of Beasts at the Qianlong Court
Conf./WS Name: A Connective History of Qing Art: Visuality, Images and Imaginaries
Organizer(s): University of Hong Kong, China
2012/6/7-6/11
〈日本在中國近代畫史開展與建構中的位置〉
Conf./WS Name: 「回首百年民國」學術研討會
Organizer(s): Institute of Modern History, Academia Sinica, Taiwan
2012/1/11-1/13
〈知識、想像與交流－南懷仁《坤輿全圖》之動物圖像研究〉
Conf./WS Name: 兩岸故宮第三屆學術研討會：十七、十八世紀(1662-1722)中西文化交流
Organizer(s): Natioanl Palace Museum, Taiwan
2011/11/15-11/17
乾隆朝《獸譜》中所涵攝之歐洲動物圖像與知識〉
Conf./WS Name: 異國奇珍：清宮之舶來品與皇權工作坊
| Organizer(s): | Institute of Modern History, Academia Sinica, Taiwan The Committee for Promotion of Ming-Qing Studies, Academia Sinica, Taiwan |
2011/9/23
日本美術在中國: 從任伯年到吳昌碩
Conf./WS Name: 異アジアが見た日本美術
Organizer(s): “Asian Studies in 21st Century” the Institute for Advanced Studies on Asia, University of Tokyo, Japan
2011/2/16
〈清宮職貢圖中的西洋與北京城〉
Conf./WS Name: 宮廷與城市工作坊
Organizer(s): Institute of Modern History, Academia Sinica, Taiwan
2010/12/22
Literati Responses to the Red Cliff: From the Red Cliff Rhapsodies to Their Illustrations
Conf./WS Name: A Colloquium: Voices on the Telling Images of China, Dublin
Organizer(s): Chester Beatty Library, Irlan
2010/4/30-5/10
〈上海與關西南畫圈的往來：以王一亭為例〉
Conf./WS Name: 中国近代絵画に関わる国際研究交流
Organizer(s): Kyoto National Museum, Japan
2009/12/16-12/17
The Zhe School and Princely Collecting: A Case Study Involving a New Lü Ji Painting in the National Palace Museum
Conf./WS Name: “Regional Perspectives on the Zhe School of Chinese Painting” panel in the international conference “International Convention of Asia Scholars 6 (ICAS6)
Organizer(s): International Convention of Asia Scholars
2009/8/6-8/9
歐洲自然誌在清宮：楊大章〈额摩鳥圖〉研究
Conf./WS Name: 乾隆宮廷藝術
Organizer(s): Graduate Institute of Art History, National Taiwan University, Taiwan
2009/6/18
十九世紀的肖像畫與攝影－以任伯年的肖像畫為中心〉
Conf./WS Name: 像應神全—明清人物肖像畫學術討論會
Organizer(s): Macau Art Museum, China
2008/11/8-11/9
從《墨林今話》的編輯看明治初年中日文化圈的往來
Conf./WS Name: 第五屆日本漢學國際會議研討會
Organizer(s): Department of Chinese Literature, National Taiwan University, Taiwan
2008/3/28-3/29
西洋的臉：清宮職貢圖中的歐洲
Conf./WS Name: 世貌風情—遼寧省博物館、上海博物館古代人物畫國際研討會
Organizer(s): Shanghai Museum, China
2008/3/13-3/14
誤讀與品味—從吳鎮〈後赤壁圖〉與夏芷〈靈陽十景〉的比較談起
Conf./WS Name: 日本文部省特定領域研究「東アジアの海域交流と日本伝統文化の形成―寧波を焦点とする学際的創生」美術班專題報告
Organizer(s): 日本文部省特定領域研究「東アジアの海域交流と日本伝統文化の形成―寧波を焦点とする学際的創生」美術
2008/1/23
Tea and the Art Market in Sino-Japanese Exchanges of the Late Nineteenth Century: The Case of Sencha and Seiwan Meien Zushi
Conf./WS Name: The Role of Japan in the Institutional Development of Modern Chinese Art
Organizer(s): Institute of Modern History, Academia Sinica, Taiwan
2007/10/18-10/20
從《酸寒尉圖》看吳昌碩的上海崛起
Conf./WS Name: 與古為徒─吳昌碩書畫篆刻學術研討會
Organizer(s): Macau Art Museum, China
2007/9/8-9/9
Appropriating Japan in China: Re-editing the Foreign in the Dianshizhai Painting Manual
Conf./WS Name: the panel “Global, local and modern: 19th- and early 20th-century visuality in China” at International Convention of Asia Scholars 4 (ICAS4)
Organizer(s): International Convention of Asia Scholars
2005/8/20-8/24
Hokusai in Shanghai: The Formation of Transnational Popular Culture in Shanghai in the Late Nineteenth Century
Conf./WS Name: Cross-Cultural Artistic Exchange in Later Chinese and Japanese History
Organizer(s): Department of History of Art & East Asian Studies Center, Ohio State University, USA
2005/4/30
文化遺產的再造：乾隆皇帝對南薰殿圖像的整理
Conf./WS Name: 文物收藏、文化遺產與歷史解釋國際研討會（中華文明二十一世紀新意義第八屆會議）
| Organizer(s): | National Palace Museum, Taiwan Himalaya Foundation, Taiwan |
2004/4/3-4/4
Ren Bonian’s Frontier Paintings and the Shanghai Urban Space in the late Nineteenth Century
Conf./WS Name: panel “Of Other Places, Space, Desire, and Identity in China” at the Association of Asian Studies Annual Meeting (AAS) 2002
Organizer(s): Association for Asian Studies (AAS)
2002/4
Ren Bonian and his Japanese Connections in the 1870s
Conf./WS Name: International Symposium on Shanghai School Painting
Organizer(s): Shanghai Museum, China
2001/12
Remapping Borders: Ren Bonian’s Frontier Paintings and Shanghai City Life
Conf./WS Name: at panel “Geohistorical Issues in the Production of Painted Images, Visual Culture, and Visuality in China” at the College Art Association Annual Meeting (CAA) 2001
Organizer(s): The College Art Association, USA